Since the very idea of a ‘psychedelic art’ is tenuous, the exhibition does not propose a canonical presentation, but attempts to establish a series of artist experiments that relate to the many ‘plateaux’ of the psychedelic, and its multiple histories as they unfolded in particular cultural contexts in Europe, Scandinavia, Latin America and Japan. Although the focus will be upon historical projects from the sixties and seventies, the exhibition will include work from the fifties until the present day.